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War Diary

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War Diary

₹ 319

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Highlights

  • ENGLISH

    Language
  • 108

    Pages
  • 9780857425324

    ISBN
  • PAPERBACK

    Binding

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    Description

    Austrian Writer Ingeborg Bachmann (1926–73) Is Recognized As One Of The Most Important Novelists, Poets And Playwrights Of Postwar German Literature. As Befitting Such A Versatile Writer, Her War Diary Is Not A Day-by-day Journal But A Series Of Sketches, Depicting The Last Months Of World War II And The First Year Of The Subsequent British Occupation Of Austria. These Articulate And Powerful Entries—all The More Remarkable Taking Into Account Bachmann’s Young Age At The Time—reveal The Eighteen-year-old’s Hatred Of Both War And Nazism As She Avoids The Fanatics’ Determination To “defend Klagenfurt To The Last Man And The Last...  Read More

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    Ingeborg Bachmann

    “What actually is possible, however, is transformation. And the transformative effect that emanates from new works leads us to new perception, to a new feeling, new consciousness.” This sentence from Ingeborg Bachmann’s Frankfurt Lectures on Poetics (1959-60) can also be applied to her own self-consciousness as an author, and to the history of her reception. Whether in the form of lyric poetry, short prose, radio plays, libretti, lectures and essays or longer fiction, Bachmann’s œuvre had as its goal and effect “to draw people into the experiences of the writers,” into “new experiences of suffering.” (GuI 139-140). But it was especially her penetrating and artistically original representation of female subjectivity within male-dominated society that unleashed a new wave in the reception of her works.

    Although Bachmann’s spectactular early fame derived from her lyric poetry (she received the prestigious Prize of the Gruppe 47 in 1954), she turned more and more towards prose during the 1950’s, having experienced severe doubts about the validity of poetic language. The stories in the collection Das dreißigste Jahr (The Thirtieth Year; 1961) typically present a sudden insight into the inadequacy of the world and its “orders” (e.g. of language, law, politics, or gender roles) and reveal a utopian longing for and effort to imagine a new and truer order. The two stories told from an explicitly female perspective, “Ein Schritt nach Gomorrha” (“A Step towards Gomorrah”) and “Undine geht” (“Undine Goes/Leaves”), are among the earliest feminist texts in postwar German-language literature. Undine accuses male humanity of having ruined not only her life as a woman but the world in general: “You monsters named Hans!” In her later prose (Malina 1971; Simultan 1972; and the posthumously published Der Fall Franza und Requiem für Fanny Goldmann) Bachmann was again ahead of her time, often employing experimental forms to portray wo

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